I was at the Old Country Buffet (one of my favorite eating spots- I’m cheap) awhile back and I noticed one of the employees, a barely legal if even legal at all young dude, hitting on a customer, a cute late 30-ish older woman. She rebuffed his advances, claiming that she was too old for him. Young dude, undeterred, stared her in the eye and calmly replied “I know what I like.” Gotta give it to the youngin’- swag for days.
That’s kinda how I feel about psych rock, which is my current favorite genre of music to listen to. I probably don’t really know a damn thing about psych- every time I look up info on a psych album online, the reviews rarely sing the praises of the songs on the album that I like the most. They’ll talk about the genius of some song on the lp that I’m not familiar with, then I’ll go back to the record to listen to this song and be like WTF is this? Obviously I’m not hearing it from a true psych enthusiasts’ perspective. Which I guess makes sense, since I’m a black first generation Hip Hop dude… I didn’t grow up on Zep or Sabbath or the Beach Boys or Zappa or even Hendrix. I grew up on James Brown and Earth Wind & Fire and Stevie Wonder and the Furious 5.
Yet and still, I know what I like. Music with soul, music that touches you somewhere deeper than the epidermis. And any real music head knows that soul isn’t just found on albums that have pics of dudes with afros on the jacket. I hear the soul in Aretha Franklin but I also hear it in Rachmaninoff‘s 2nd. In fact, “hear it” isn’t the best way to put it- I feel it. That’s what music is all about, man… people can tell you all day that this is the hot schitt, this is what’s banging now, whateva whateva, but it doesn’t matter. Music isn’t a popularity contest, it’s not about soundscan numbers, it’s only about what you feel or don’t feel. No matter what I say about something being THATREALSCHITT, if you can’t feel what I’m feeling then it’s a waste of time even trying to explain it.
So anyway, enough of my yadda-yadda-ing. Yes, it’s true- I’m dropping another new Soulman mix a mere three days after the last new Soulman mix. Guess the hiatus is officially over, eh? This one, entitled Beautiful, basically picks up where The Truth Is Forever left off. Just playing a bunch of soft, mellow psych songs that I really love. Familiar folky stuff that the Vashti Bunyan and Linda Perhacs fans out there may already know and love but also some other very nice tunes that only the most hardcore psych dudes are gonna be hip to. This joint may be too light for the more gnarly real schitters, and my Hip Hop real schitters can probably just fuggetaboutit, but I’m hoping folks will dig this (Beautiful Pt. 2 and maybe even Pt. 3 are on deck already, so if y’all are feelin’ it more will be dropped ASAP). Thanks for listening.




Told you I’d be back… and here I is with another Soulman mix. This is really more of a Best Of Archaeologists compilation type joint… I’m just putting my name on all of ’em from now on (why not?). No cutting and scratching, just playing some music I like.
This is another one of those mixes that’s been sitting around unfinished for a long azz time- probably a couple of these songs I wouldn’t have put on the mix if I did it yesterday just because I’ve heard them on too many other people’s mixes. But who cares… I like all the selections regardless if I heard them a hundred times before or if they’re still new to my ears. Like a wise dude once said, the truth is forever. Besides, I think it’s a pretty decent mosaic of uncommon and commonplace, rarefied and somewhat routine. Soul, psych, jazzy, modern, whatever’s clever.
The working title on this was “Spring Mix” because most of the stuff is light and breezy and soulful… unfortunately I’m like a couple of season changes late on the release date and I didn’t feel like waiting until next March to drop it, so here it is. F— it, autumn is pretty breezy too, right? I can see the leaves falling in the background while sipping a mug of hot apple cider and vibing out to this schitt. Hope y’all like it, and if not I got another one in the chamber that may be ready by this weekend as well. Happy turkey day to whoever’s celebrating it and peace to everybody else too.



Just when you thought I was retired from the break mix game (I thought I was retired too, who knew)… I started working on this mix almost exactly one year ago and finally finished it today while the wife was at the movies with the kids watching Up (they said it was good). The original idea was to do a joint with all kinds of weird records from a bunch of different genres and countries. Somehow, it ended up being all rock records. Or at least records that would probably be filed in the rock section at your friendly neighborhood record shoppe. That’s all I’ll say about it, other than this is probably one of my weirder mixes- definitely maintaining the basic Soulman style but with some strange deviations from my traditional format as well. I gotta admit this is one of my favorites- I’m rarely pleased with the finished product of anything I do, but I must say that I was very happy with the results this time.
Peep it for yourself down below, and if you like it please feel free to share it with others, post it up on your blog or bootleg that schitt and sell it behind the counter at the corner bodega along with the apple blunts and loosies. It’s free, do what you will with it.
P.S. – sorry but I didn’t do a tracklist for this and I honestly don’t even remember what more than half of these songs are… I just grabbed whatever rock records were laying around at the time and played whatever sounded half decent. Dollar bin to ultra rare psych… it’s all over the place.

SOULMAN – The Truth Is Forever


Since I still have a lot of stuff laying around here on cassettes and dats and reels and cd-rs that the world has never heard and will probably never make it to a slab of DWG vinyl, I may as well let off a couple every now and again. This first installment of Soulman Lost Demos from the 90’s features my boy Da’ Rage, also known as The Evil Eye Son Of Sin but may be known better to some of you from his work with UK producers The Nextmen as Soulson.
We actually go back as far as around 1990 or so, when we worked together on a “hip-pop” project for RCA Records (we also worked alongside world famous songstress Anastasia, BTW)- can’t mention what the project was for fear that some very astute digger may actually discover it, but the vinyl does indeed exist.
After that we stayed in touch and I even got my man to play the Tiplove part for some live shows we did in 1992 as Baritone Tiplove. Later on we got together with some other brothers and formed a little group we called Soul Brothers #9 (more on that in an upcoming blog post, no doubt). After that concept got derailed, we just recorded some demos at my crib, aka the Original World Of Beats (see picture above… looks like those record shelves are gonna collapse, don’t they? Well, eventually they did). We did a gang of songs and I did even more remixes to said songs, so I have a bunch of Soulson / Soulman joints somewhere around here in boxes or on shelves, just gotta dig ’em up.
Last I heard my dude got out of the Hip Hop lifestyle and jumped head first into the dance music world as DJ Christian James… I guess we’re talking about Trance and Electronica and all that kinda music which I really don’t know about so I’m probably not even using the right names. But anyway, here’s a couple of remixes I did for a song called “Baddass” plus a bonus joint with son gettin’ his freesteez on over the Mardi Gras-with-the-bells beat. If you like these and want more just holla…. your silence will motivate me to continue sitting on this schitt eternally.

DA’ RAGE a.k.a. SOULSON – Baddass (615 Remix) produced by SOULMAN
DA’ RAGE a.k.a. SOULSON – Baddass (Q Remix) produced by SOULMAN
DA’ RAGE a.k.a. SOULSON – Mardi Gras Freestyle


Some of y’all may have heard this before, but this is a joint I did a couple years ago with one of my favorite producers, DJ Paul Nice. Unfortunately right now I don’t know if this is ever going to get an official release, so here you go (Paul already put this out on the interwebs for public perusal, so i don’t think I’m violating by posting it up here). The Poughkeepsie King did a craaaazy nice job on this beat and it was an honor for me to get on it, so I just felt this needed to be heard by whoever never heard it. And Pauly, if you’re checking this post, I hope you’re doing okay. You’re a great talent, my man.

PAUL NICE featuring PHILL MOST CHILL aka THE SOULMAN – Never Stop Diggin’


Another one of those Soulman mid-nineties remixes, this one a flip of Betty Wright for Kool G Rap’s “On The Run”. Hey, ain’t nuthin’ messin’ with the “I Declare War” and “Enter The Dragon” joints, recently re-earthed from Marley Marl‘s vaults by my dudes over at DWG (holy grail… got it!). But you might find this joint kinda nice for your G Rap collection too.

KOOL G RAP – On The Run (Soulman Remix)


This is another segment of the Soulman “Philladelphia Beat Mission” cd for you if you don’t already have it (I dropped the “Play The Breaks” portion of the mix awhile ago). This one, titled “Lasalle Funk Session”, was a little 25 minute set I put together for live DJ gigs back when I thought I might get into playing out (I decided not long after that playing out was not for me). I also wanted to show people that although I prefer to be all over the place with my musical selection, I definitely am able to concentrate on one style and keep a party moving with actual mixing, blends, etc if need be. Honestly, though… I hate that schitt. Well, “hate” may be too strong, but it’s hard for me to stay interested if all I’m playing or hearing is the same type of schitt over and over. I want all genres, all tempos, a plethora of musical flavors. And I like rockin’ them old school Hip Hop style, just ziggazigga-ing schitt into the mix. Regardless, I was cool with how this one came out (although I never got a chance to add some of the finishing touches on it that I had planned). I guess for the hardcore funk 45 dudes most of this stuff will not be obscure enough- nope, I didn’t go to some remote island in the Pacific ocean to find any of these records, unfortunately. As usual, I mixed in some fairly rare joints with some classic material. Long as it’s funky it’s all good IMHO. The tracklisting-

Syl Johnson – Ode To Soulman
Billy Baron & His Smoking Challengers – Communication Is Where It’s At
Brothers Of The Ghetto – Rockin’ Chair
Honeydrippers – Streakin’
Howard Wales – Huxley’s Howl
Marvin Holmes – Find Yourself
Patricia & Jimmy – Trust Your Child
Mighty Flea – Ode To Billy Joe
Explosions – Hip Drop
Masai – Across The Tracks
Kenny and the Beach Boys – Big Payback
Oscar Harris – Relax Before Doing Sex

SOULMAN – Lasalle Funk Session


Okay, where was I… oh yeah, the 1993 Tommy Boy Remixes story (it’s been a month or three since my last Real Schitt post, please excuse the memory lapse). Actually, I’m not even gonna get into the whole yarn… some of it can be found somewhere on one of my Myspace pages if you really want to read about it.
But to make a short story even shorter, back in 1993 Tommy Boy Records got me to remix the debut single by the Whooliganz, a Soul-Assassins related group consisting of Beverly Hills white kid rappers Scott Caan (son of actor James Caan who grew up to be a thespian in his own right) and another kid who grew up to be super producer The Alchemist (what up Al). You can read more about the Whooliganz on Wikipedia or maybe on this site (if you can read it- I gave up after the first sentence).
Basically, Tommy Boy wanted some commercial-azz schitt and I gave them THAT REAL SCHITT (raw as f*ck). End of story. As I’ve stated previously elsewhere, this was like a very low point for me and pretty much killed my desire to “make it” in the music industry. But my dumb azz shoulda known that I’m just not cut out for no mainstream professionalistic type success… my heart is in that homemade, press-it-yourself, gritty, grimey, distorted, everything-done-wrong type schitt. So kay sera sera… there’s no crying in Hip Hop.
As I did with the Naughty By Nature remixes that I submitted to Tommy (read the previous post if you haven’t already), I will now give you the rejected Whooliganz joints. I did about 12, I’ll hit you with my favorite six. I don’t know if any of y’all really want to hear Whooliganz remixes, but personally I was real happy with these beats I made some fifteen years ago. As always, excuse the distorted bass and whatnot- these joints are all direct from old cassette tapes and I don’t clean up or EQ schitt (no foolin’, Phill).

THE WHOOLIGANZ – Put Your Hands Up (Soulman Mucho Soul Remix) (RE-UPPED)
THE WHOOLIGANZ – Put Your Hands Up (Soulman BT Remix)
THE WHOOLIGANZ – Put Your Hands Up (Soulman Doobie Remix) (RE-UPPED)



Here’s another of the many things I’ve done over the years that never got released like it was supposed to (it was just in the cards for me to be an under-underground legend, alas… roffles). Back in… uh, was it 2002? 2003 maybe? DJ Sheep, help me out here, my brother! Anyway, one of those years in the early 2000’s Sanctuary Music hired me to do a short little megamix type joint using stuff from the Hot Wax / Invictus 70’s soul catalog since they owned the rights to all that stuff. So I take to it like a kid in a candy store- that Hot Wax / Invictus catalog is full of some of the best soul music of it’s era, believe me. I did my thing, and everybody’s entitled to their own opinion (except y’all hatin’ azz n**gaz), but my opinion is I dropped like it was hot, son! Unfortunately, this, like many of my club bangers, never saw the light of commercial day- probbly didn’t put enough disco blends into the mix for the people at Sanctuary to be able to understand it, who knows. Well, Sanctuary, it’s all right because I got your money anyway. And now the public can have it for free, just the way that it was intended to be. So here you go, a nice 320 kbps rip for you to put into the mix right between “Lollipop” and “In The Ayer”. I don’t think this is even the final mixdown, but it’s close enough. Share it, play it, make me famous.
P.S. – before anybody asks, no, every single thing on this mix is not Hot Wax or Invictus but almost everything is. Once again, close enough.

SOULMAN Whatever Happened To Yesterday (Hot Wax / Invictus Megamix) RE-UPPED


I know y’all ain’t but so interested in this blog unless i’m droppin’ some music you don’t have to pay for (I don’t blame you), but it’s been a couple of weeks since my last post and I don’t know when I’ll be back into the swing of things around here, so I’m basically just stoppin’ through to say what’s good. Other than just being a little bored with the bloggery, I’ve also been busy working on my first Soulman mixtape in a looooooong azz time. I’d forgotten how much I enjoyed putting these damn things together! I may have to get back into this schitt for real, even though there’s really not any money in it anymore- not that there was ever a LOT of money in it, but at least there was enough to make it feel worthwhile. Newsflash to Phill: maybe you don’t need to make money off of something for it to be worthwhile? Hmmmm…. well, okay, whateva. Anyway, this new mix jawn is in the familiar Soulman style, but with a little bit of a twist. I won’t say any more than that for fear of shark attack (i.e. fools bitin’ my steezo), but it’s gonna be some schitt. When it drops you will be the first to know. Peace until I find my way back here… maybe in a few days, maybe in a few weeks, I can’t call it.

OH, and I almost forgot… thanks to the people who’ve been taking the time to make comments and e-mail me, especially the regular commenters. I am definitely reading everything and all words are much appreciated.